I have been aware of a sort of 'pain' deep in my lower abdomen, it came to light only recently, and it is so deep and intangible that I can't reach it.
At first, in meditation, I could see an inner image of a rock, later I could 'see' it as a pile of rubble, heaped into the shape of the rock that I first saw. It seems to have been located in the sacrum area, so as a friend pointed out, this is around my sacral chakra, the chakra of , amongst other things, CREATIVITY.
Lastly the visual became of a child pushing herself out through, and emerging from the rock shaped heap of rubble.
It could be read as the 'child of creativity' (me, my creativity of vulnerablity and innocence, purity etc...) having been painfully covered/immersed/mortified into the 'rock' eventually releases the force of the rock, reducing it into rubble and then climbs through and 'out'.
Later yesterday I was relaxed and settled down to watch something on film 4.
Two films were showing.
The first was the The book Thief. This film is a story told by our old friend, Death
.
This film brought tears to my eyes, it was incredibly moving and, as I felt the emotions, I also I felt the 'pain' (rock,rubble) in my abdomen pulse and push out.
The synchronicity was when, after a bomb raid destroyed the town and reduced it to rubble, the girl Liesel who had at the time been settled in the basement of the house, and writing her story (the story found and read by Death) survived and was able to emerge from the rubble. The film was so beautiful to me, that it was only later I knew that this was related to my own visual, of a young girl climbing out through the heap of rubble....
It is a story about creativity and how that brings you ALIVE, not in a bread and water way, but in a CREATOR of expression/thoughts/words and deeds. Other instances of creativity in the film bring BEAUTY to LIFE otherwise dulled by fear and pain. Hans plays his music in the bomb-raid shelter and the scene is instantly elevated into one of beauty. In a later scene, Leisel tells a ghost story (its is a story that allows her expression about her younger brother who died earlier), she tells this story to the people that sit near her in the bomb-raid shelter. It is in that 'sharing of creativity' that again, changes and softens the harsh experience of sheltering from the bombs being dropped on their homes and in that moment there emerged something something else.
How essential is it, to have access to our own creativity, to bring us through the 'rubble of hardship', whatever and wherever (in the film, Nazi Germany) that life experience may be. It is the difference between just surviving and seeing where beauty may lie and letting that beauty MOVE you.
The second film is in stark and shocking contrast and showed how zombiefied we become without our creativity. We all know and read about AI, Artificial Intelligence and where those dangers are potentially socially engineering our future selves. This is Not about AI, and intelligence is definately not seen anywhere in this film, but it is dolloped with plenty 'Artificial'.
Here we have a type of 'post-apocalyptic' warning and brought to us by the film Idiocracy, where the apocalypse is self served or rather, force fed to us from slop filled buckets called food.
The film Idiocracy, is a stark contrast to the first, both with tragic backdrops but Idiocracy really has no 'feel-good' theme, at all. It is a comedy and, at first it is funny, but pretty soon you get to see that the social engineering occurring now is intended to manufacture this type of dumbing down in people.
In the film, the masses have just given their power over, and are not only stupid, but more importantly have no desires or inspiration other than to eat the slush food, and 'low-base' sex is the only thing that motivates. TV is just flashing logos and the programming is low-base 'butt and balls' kicking.
This is the place where they wonder why the crops fail. The 'Crops' are only to produce their diet of corn chip slush, and it takes this guy, the hero of the film.... who 'travels' from our time 500 years into the future, their time, to figure out that their crops are killed by the green energy drink fluid, gator-ade type drink produced for the masses. NO one drinks water, water is not used on the crops. Any way this 'funny' film includes themes such as everyone wearing branded logo clothes, that are similar to the sports type clothing we see today, and 'THE' barcode (as we all know 666) tattoos that everyone must have and life is just one big pile of mush.
It is a warning that this is a possible reality somewhere in the not so distant future. In fact most of what makes this film funny, (mushy and vile) is actually very much in play now. There is also a major rubble theme, where the backdrop to the scenes is a city and transport system reduced to rubble and collapsing, held together with makeshift 'string' (ie NO new engineering, No intelligence etc...) and a giant Cost-Co is 'everything else' and of Godlike proportions, and is presented as the god to which the masses get their sustenance. Cost-co provides all, literally.
Here it is the mountain of Rubble that has overcome creativity, and has won.
This continued Dumbing down and loss of brain muscle and Self value/worth REJECTS SELF CREATION and SELF EXPRESSION and CREATIVITY in any form.
So my question is this.
Is the motivation behind this film....
1. a good Laugh at humanity as it goes down the toilet,
2. Or the whole concept depicts us something to worry about and so we should be warned to
stop giving our power away....and to stop allowing our intellect to be drained away ( by ALL causing factors- for example, bad education, disinformation, bad information, damaging politics, etc etc, stress, bad food, bad water, and BUYING INTO an identity that is corporate branded and as such living logo lives)
3. OR is it like one of those 'teasers' or 'leaks', where the Elite powers that be.....
( For now, but not forever, and they sure as hell are trying to do as much irrevocable damage before their time is up) .....
......can say that they told us/showed us, and WE consented by not acting differently, in this way no one is/or can be shocked when the outcome arrives and it is too late and they, the Elite powers that be. those who have been socially engineering this for hundreds of years if not thousands of years, cannot then be held accountable.
Actually in hind sight I am wrong about this film not having AI.
Whereas money is a big issue in this future world, you will notice there is NO mobile/cell technology, because all identity is scanned and chipped into the barcoded (666) identity tattoos, which of course is AI, and which is part of the New World Order agenda...
....which Originates in earlier and covert 'Elite powers that be' agendas....
.... and which becomes more formalised and formulated with the NAZI agenda....
.... and which continued behind the scenes for many years ....
..... and which has entered, unchallenged into our present here and now.
What are we going to do with this... Allow and accept? Collude and consent?
Or be educated about who we are and what we want for our future generations. Incidently money in this film is 'large paper notes', depicted with the faces of idiots, and is presented as the paper gods that really have no meaning except as a means to keep the dumb masses distracted with sloppy food and low-base sex. There is nothing else.
I see Lots of thought in this. mind where you step in the rubble...
Michaela.
Below are descriptions of the films.
The book thief.
https://www.cliffsnotes.com/literature/b/the-book-thief/summary-and-analysis/part-10-the-book-thief-the-end-of-the-world-part-ii
In 1938, young orphan Liesel (Sophie Nélisse) arrives at the home of her new foster parents, Hans (Geoffrey Rush) and Rosa (Emily Watson). When Hans, a kindly housepainter, learns that Liesel cannot read, he teaches the child the wonders of the written language. Liesel grows to love books, even rescuing one from a Nazi bonfire. Though Liesel's new family barely scrape by, their situation becomes even more precarious when they secretly shelter a Jewish boy whose father once saved Hans' life.
Based on the beloved international bestselling book, The Book Thief tells the story of an extraordinary, spirited young girl sent to live with a foster family in WWII Germany. Intrigued by the only book she brought with her, she begins collecting books as she finds them. With the help of her new parents and a secret guest under the stairs, she learns to read and creates a magical world that inspires them all.
Idiocracy
https://www.google.co.uk/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0ahUKEwjcx9uLq-bYAhUiDsAKHcYzDhEQ3ywIKDAA&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DBBvIweCIgwk&usg=AOvVaw0SUvia1yFqBDPJ_HGj92GJ
Private Joe Bauers, the definition of "average American", is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes five centuries in the future. He discovers a society so incredibly dumbed down that he's easily the most intelligent person alive.
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