There is a 'pulling and pushing' of many happenings and events (in the stars) and moments of alignments, like when the earths techtonic plates move into the next position or the coming together of Yods...the fingers of God, as the fingers of both hands finally interlock into 'praying hands', and finally strengthened, 'changes' the old status of "the left hand doesn't know what the right hand is doing":
Saturday, 9 January 2021
Fear. Don't let it dispossess us. Transform it.
Saturday, 2 January 2021
A little ball of multidimensional excitement. In my stomach this morning was a fluttering excitement. For no obvious reason. The morning was cloudy and cold and all I could see was a few jobs that I should get to. In the past, the feeling in my stomach would be a 'go-to default stress reaction', which overrides any feeling of excitement or anticipation. Today is an anticipation of excitement that I can't explain, but I feel that something 'very big' is mushrooming now and is in different stages depending on which multidimensional feeling you are most comfortable participating with. It could be something that on one level will be very disruptive (3d) but on other levels very necessary. There is a 'pulling and pushing' of many happenings and events (in the stars) and moments of alignments, like when the earths techtonic plates move into the next position or the coming together of Yods...the fingers of God, as the fingers of both hands finally interlock into 'praying hands', and finally strengthened, 'changes' the old status of "the left hand doesn't know what the right hand is doing": I checked out my email and a few seemed to link in.~~Michaela.~
Sunday, 17 May 2020
The Underground War, Happening Now Jan 2020. DUMBs ( slaves rescued). Deep underground military bases. But whose military, cloned and mkultra'd? Who is in control of these mass slave and mkultra tech? WHO is doing the removal and How? Follow these links to see The State of Underground Base/Life/fema which were all in operation and the orchestration of WWW!!! NWO Take down. This stuff makes this little surface virus look like kids tea party.
G.I. Joe: Retaliation
| G.I. Joe: Retaliation | |
|---|---|
 Theatrical release poster | |
| Directed by | Jon M. Chu |
| Produced by | |
| Written by | |
| Based on | G.I. Joe by |
| Starring | |
| Music by | Henry Jackman |
| Cinematography | Stephen Windon |
| Edited by |
|
Production companies | |
| Distributed by | Paramount Pictures[2] Metro-Goldwyn-Mayer[3] |
Release date |
|
Running time | 123 minutes[5] |
| Country | United States |
| Language | English |
| Budget | $130-155 million[6][7] |
| Box office | $375.7 million[6] |
G.I. Joe: Retaliation is a 2013 American military science fiction action film directed by Jon M. Chu and written by Rhett Reese and Paul Wernick, based on Hasbro's G.I. Joe toy, comic, and media franchise. It is the second film in the G.I. Joe film series, and is a sequel to 2009's G.I. Joe: The Rise of Cobra.[8][9] G.I. Joe: Retaliation features an ensemble cast with Byung-hun Lee, Ray Park, Jonathan Pryce, Arnold Vosloo, and Channing Tatum reprising their roles from the first film. Luke Bracey and Robert Baker take over the role of Cobra Commander, replacing Joseph Gordon-Levitt. Dwayne Johnson, D. J. Cotrona, Adrianne Palicki, Ray Stevenson, Elodie Yung, and Bruce Willis round out the principal cast.
In the film, with Cobra operative Zartan still impersonating the President of the United States, the terrorist organization is able to frame the Joes as traitors, and have them nearly annihilated in an airstrike. Cobra Commander places the world leaders under Cobra's control, and gains access to their advanced warheads. Outnumbered and outgunned, the surviving Joes form a plan with the original G.I. Joe, General Joseph Colton, to overthrow the Cobra Commander and his allies.[10]
Originally slated for release in June 2012, the film was delayed in order to convert to 3D and boost interest in international markets. It was released in North America on March 28, 2013 to a mainly negative critical reaction;[11] the plot and dialogue were subject to criticism, but the entertainment value, direction, acting, action sequences, and Henry Jackman's musical score were praised.
Odin
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Odin (/ˈoʊdɪn/;[1] from Old Norse: Óðinn, IPA: [ˈoːðinː]; runic: ᚢᚦᛁᚾ) is a widely revered god in Germanic mythology. Norse mythology, the source of most surviving information about him, associates Odin with wisdom, healing, death, royalty, the gallows, knowledge, war, battle, victory, sorcery, poetry, frenzy, and the runic alphabet, and project him as the husband of the goddess Frigg. He is often depicted as the supreme Germanic god.[2] In wider Germanic mythology and paganism, the god was known in Old English and Old Saxon as Wōden, in Old Dutch as Wuodan, and in Old High German as Wuotan, all ultimately stemming from the Proto-Germanic theonym *Wōđanaz, meaning 'lord of frenzy', or 'leader of the possessed'.
Odin appears as a prominent god throughout the recorded history of Northern Europe, from the Roman occupation of regions of Germania (from c. 2 BCE) through movement of peoples during the Migration Period (4th to 6th centuries CE) and the Viking Age (8th to 11th centuries CE). In the modern period the rural folklore of Germanic Europe continued to acknowledge Odin. References to him appear in place names throughout regions historically inhabited by the ancient Germanic peoples, and the day of the week Wednesday bears his name in many Germanic languages, including in English.
In Old English texts, Odin holds a particular place as a euhemerized ancestral figure among royalty, and he is frequently referred to as a founding figure among various other Germanic peoples, such as the Langobards. Forms of his name appear frequently throughout the Germanic record, though narratives regarding Odin are mainly found in Old Norse works recorded in Iceland, primarily around the 13th century. These texts make up the bulk of modern understanding of Norse mythology.
Old Norse texts portray Odin as one-eyed and long-bearded, frequently wielding a spear named Gungnir and wearing a cloak and a broad hat. He is often accompanied by his animal companions and familiars—the wolves Geri and Freki and the ravens Huginn and Muninn, who bring him information from all over Midgard—and rides the flying, eight-legged steed Sleipnir across the sky and into the underworld. Odin is the son of Bestla and Borr and has two brothers, Vili and Vé. Odin is attested as having many sons, most famously the gods Thor (with Jörð) and Baldr (with Frigg), and is known by hundreds of names. In these texts he frequently seeks greater knowledge, at times in disguise (most famously by obtaining the Mead of Poetry), makes wagers with his wife Frigg over the outcome of exploits, and takes part both in the creation of the world by way of slaying the primordial being Ymir and in giving the gift of life to the first two humans Ask and Embla. Odin has a particular association with Yule, and he provides mankind with knowledge of both the runes and poetry, giving Odin aspects of the culture hero.
Old Norse texts associate female beings connected with the battlefield—the valkyries—with the god, and Odin oversees Valhalla, where he receives half of those who die in battle, the einherjar. The other half are chosen by the goddess Freyja for her afterlife-location, Fólkvangr. Odin consults the disembodied, herb-embalmed head of the wise being Mímir for advice, and during the foretold events of Ragnarök Odin is told to lead the einherjar into battle before being consumed by the monstrous wolf Fenrir. In later folklore Odin appears as a leader of the Wild Hunt, a ghostly procession of the dead through the winter sky. He is associated with charms and other forms of magic, particularly in Old English and Old Norse texts.
Odin is a frequent subject of interest in Germanic studies, and scholars have advanced numerous theories regarding his development. Some of these focus on Odin's particular relation to other figures; for example, the fact that Freyja's husband Óðr appears to be something of an etymological doublet of the god, whereas Odin's wife Frigg is in many ways similar to Freyja, and that Odin has a particular relation to the figure of Loki. Other approaches focus on Odin's place in the historical record, a frequent question being whether the figure of Odin derives from Proto-Indo-European mythology, or whether he developed later in Germanic society. In the modern period the figure of Odin has inspired numerous works of poetry, music, and other cultural expressions. He is venerated in most forms of the new religious movement Heathenry, together with other gods venerated by the ancient Germanic peoples; some branches focus particularly on him.
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